In another time, in a land far away, I ran a music venue. At that mythical and magical place I saw so many indie pop, singer songwriter, acoustic, hippie bands that any music that starts with the gentle strum of a guitar usually sends me heading for the hills. I am incredibly, stupidly picky about the music from that rough genre (which to be fair, The Wife and I had trouble defining) and one of the incredibly sad things about The Alley is that the best bands didn't always pull the crowds, get the airplay or sell the albums.
Take Alex Oliver, a long time muso around Brisbane and a legend at 4ZZZ radio, he had this incredible storytelling style and an unbelievable way of picking an acoustic guitar, but he never seemed to finish a lot of songs. He never got his shit together to make that next level.
Sometimes a band like Angus and Julia Stone will pop up and shine through the dross but how many great bands just slip through the cracks? In OZ hip hop, the genre I champion above all others, the good stuff tends to pop up, simply because there are just not that many acts and the good ones get noticed and promoted by the bands that do have the media profile.
When I was at The Alley I probably got fifteen indie pop/acoustic demos a week! And I was the smallest original live venue in Brisbane. How can you push through so many acts? How do you get noticed?
Recently through a set of unfortunate circumstances I was having an email exchange with some old mates from my home town and it was mentioned that Louise had an album out. This family have always been incredibly talented in the arts so I wasn't particularly surprised. Louise was kind enough to give me a promo code to download the album and to be honest I was blown away.
Imagine if Mazzy Star came to Paul Kelly and asked him to write her some songs. (just a side note, Paul Kelly is the bomb. You can keep your Tom Waits, your Neil Diamond, your Bob Dylan, I'll take Paul any day of the week). This is what that record would sound like. I love the way Louise's voice sounds.
So please go to laneway and have a listen. Buy the record. For me, I'll be going to my first live show since I quit the live venues, it's going to be great.
- Lantanaland from my iPhone
Take Alex Oliver, a long time muso around Brisbane and a legend at 4ZZZ radio, he had this incredible storytelling style and an unbelievable way of picking an acoustic guitar, but he never seemed to finish a lot of songs. He never got his shit together to make that next level.
Sometimes a band like Angus and Julia Stone will pop up and shine through the dross but how many great bands just slip through the cracks? In OZ hip hop, the genre I champion above all others, the good stuff tends to pop up, simply because there are just not that many acts and the good ones get noticed and promoted by the bands that do have the media profile.
When I was at The Alley I probably got fifteen indie pop/acoustic demos a week! And I was the smallest original live venue in Brisbane. How can you push through so many acts? How do you get noticed?
Recently through a set of unfortunate circumstances I was having an email exchange with some old mates from my home town and it was mentioned that Louise had an album out. This family have always been incredibly talented in the arts so I wasn't particularly surprised. Louise was kind enough to give me a promo code to download the album and to be honest I was blown away.
Imagine if Mazzy Star came to Paul Kelly and asked him to write her some songs. (just a side note, Paul Kelly is the bomb. You can keep your Tom Waits, your Neil Diamond, your Bob Dylan, I'll take Paul any day of the week). This is what that record would sound like. I love the way Louise's voice sounds.
So please go to laneway and have a listen. Buy the record. For me, I'll be going to my first live show since I quit the live venues, it's going to be great.
- Lantanaland from my iPhone
Location:Ten years ago